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Bass-Bug Humbug by William Tapply

Bill Tapply had some awfully strong opinions about what makes a good bass bug.
Photo courtesy Vicki Stiefel

Bill Tapply literally wrote the book on this subject.

If you want to buy or make a good bass bug, don’t fret about what it looks like. There are more important considerations:

    1. Aerodynamics. Besides catching bass, the great fun of bass-bug fishing is identifying and casting to all those delicious targets that line a bassy shoreline—the pockets among beds of lily pads, the half-submerged trees, the dark holes under overhanging bushes, the shadows alongside boulders and docks. A badly designed bug (air-resistant wings and tails and other appendages, general bulkiness) quickly makes your casting arm ache and sucks all the fun out of it. Choose a light, streamlined bug that you can cast comfortably with a medium-weight (5 – 7 weight) rod. If you can’t find such a bug, you can improve the aerodynamics of a bulky bug with scissors.
    2. The Burble. The sound of prey moving on the water’s surface, not its shape or color, is what convinces bass to strike. You should be able to impart a variety of lifelike noises to a bug. Give it a sharp tug to make it go ploop. A twitch makes it burble, and with an erratic retrieve it chugs, glugs and gurgles. You can create the widest variety of seductive noises with deer-hair bugs. READ ARTICLE

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